![]() Every character in “The Homecoming” has their designated male characteristic, e.g. He sees Ruth in particular as a threat as she is an outsider and does to conform to the rules that he and his family adhere to. However this continues degradation of women could be seen as a defensive device as he struggles to cope with another strong-willed character. This is evident in his attitude towards his wife who he refers to as a “bitch”. These obscenities are repeated throughout the play and are representative of Max’s assumed superiority over women. Max uses blunt and forceful language in order to gain dominance over Ruth, the only female in the play. Max: “We’ve had a stinking pox-ridden slut.” The character of Max uses verbal violence in order to dominate those around him. The gender conflict in “The Homecoming” is presented mainly through patriarchal power. In the exposition of “The Homecoming” the play could be mistaken as apolitical but its exploration of gender politics makes it broadly political. This progression from the metaphorical power games can be seen in “The Homecoming”, written in 1967, and “One for the road”, written in 1984. There has been speculation over whether Pinter’s later plays are a departure from the more metaphorical explorations of power to being more openly political, or whether his plays have been political from the beginning.
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